Farah Khan is currently enjoying creating content for her vlogging channel. In the latest episode, the filmmaker visited Sonakshi Sinha and Zaheer Iqbal’s massive house in Mumbai. The video showcased one fun moment where Farah compared Zaheer to Sonu Sood. Here’s what happened.
When Farah Khan compared Zaheer Iqbal with Sonu Sood in front of Sonakshi Sinha
In her latest vlog on YouTube, Farah Khan visited Sonakshi Sinha and her husband, Zaheer Iqbal’s house in Mumbai, with her cook, Dilip. After being welcomed by the couple and Sonakshi’s mother, Poonam Sinha, the actress then gave the filmmaker a tour of her home. Farah then looked at a painting hung on a wall of the couple’s house and asked, “But I want to know ki Sonakshi Sonu Sood ke sath kyun khadi hai yahan par? (But I want to know why Sonakshi is standing here with Sonu Sood?)”
Her comment leaves everyone laughing. Sonakshi quickly clarified, “Nahi, woh Sonu Sood nahi hai; mere paas photograph hai, photographic evidence hai (No, that is not Sonu Sood; I have a photograph, I have photographic evidence).”Farah kept asking, “Sonu Sood nahi lag raha hai yeh?” Sonakshi trilled, “Bilkul nahi! (Not at all!)” Meanwhile, Zaheer responded, saying, “This is the first I have heard that,” and went to tell his wife, “Dusra photo lete hain, baby, alag angle se (Let’s take another picture, baby, from another angle).”The filmmaker-choreographer then praised the painting and expressed how beautiful the portrait looked. Sonakshi then explained to Farah that a friend of theirs who lives in Nepal painted it when he got to know about their engagement.

More about Sonakshi Sinha and Farah Khan
Sonakshi Sinha recently marked her debut in Telugu cinema with ‘Jatadhara’, starring Sudheer Babu in the lead. In Bollywood, she was last seen in the movie ‘Nikita Roy’, which was released in July this year.Meanwhile, Farah Khan recently choreographed the song ‘Ghafoor’, starring Tamannaah Bhatia. It was a promotional track of Aryan Khan’s directorial debut show, ‘The Ba***ds of Bollywood’.
